This morning I was privileged to be the object of attention of my fellow Center for Women and Work Research Associates at the University of Massachusetts-Lowell. We meet on a monthly basis to discuss our research projects and learn from the discussion of an interdisciplinary group of scholars. This is my second tour of duty with this group. [Meg Bond, CWW Founder to Right]
During the first tour (two years), I was working on my Journal Project. Thanks to this internal research support, I was able to conduct some very risky and experimental research around the integration of arts-based research and qualitative computing...and that work is now being exhibited, published, discussed, etc. Centers like this are critical on universities to provide encouragement for faculty to germinate new ideas, take those first steps, and work through a project--the in-kind support they offer is every bit as important as a financial award.
As I said, this is my second tour of duty, and in this period I am working on the sexting project, a three-state, interdisciplinary study of teens and sexting. I am the official qualitative researcher on the project. PI Andrew Harris from our Criminal Justice Department joined me. We described the initiative, showed the NVivo Project, and shared our notion of the continuum of what sexting means in the teen mind.
As I explained to them in showing NVivo...leveraging the transparancy and portability of this tool--and showing you what the coding looks like--makes me vulnerable. Most people don't publicly share their research in this way, but its a commitment we have that goes along with using the software. [It is scarey...a project is like the inside of your brain, it's like letting people into your file cabinet, your closets.]
Then the group asked us questions--really good questions (as they always do). The group ranged from psychology and sociology to economics; there were qualitative and quantitative researchers. They were awestruck by the size and amount of materials--number of sites, focus groups, students involved (9 schools; 3 states; 123 students...and that's only part 1...I know we went "data heavy"...but when you are a data hog--it's hard to set boundaries!) They were pleased with the way we were building up from the emic perspective. That struck them as important. And, they asked for some things we need to dig for in the data to better set the cultural context for understanding the responses:
1. What are the opportunities at each school to hear messages about sexting? Where do they occur? Are they in separate places or integrated in any way?
2. What are the school's written policies about technology use?
They, like the students we interviewed, had a range of views about what sexting was--"Is it this?" "Is it that?" Everyone gets confused, whenever we start talking about the project...but they asked very astutely, what do these messages/photos actually look like? That's not for this study--we are looking at views expressed in interviews (and I hate to think of the IRB issues related to procuring young people's sexting examples...), but it was an excellent thing to think about--because that is truly where the rubber meets the road!
Thanks to CWW for providing opportunities for this kind of discussion!
Showing posts with label Sexting. Show all posts
Showing posts with label Sexting. Show all posts
Thursday, October 20, 2011
Friday, October 7, 2011
CALL FOR PROPOSALS: 2012 International Congress on Qualitative Inquiry
Call for Proposals!!!
You are invited to submit a paper abstract for a proposed session at the 2012 International Congress on Qualitative Inquiry.
The proposed panel is titled:
Gender Practices, Technology, and Teens: New Perspectives from Qualitative Research
Co-chairs/Organizers are: Judith Davidson, UMass-Lowell & Lois Scheidt, University of Indiana, Bloomington
Description of the Panel:
Gender practices, that is, acts of definition, identification, and interaction with others in ways that demonstrate one’s gendered perspective, have been with us as long as we have been human. Not surprisingly, in today’s digital world, gender is closely intertwined with emerging technologies. Gendered images and assumptions are built into the presentation and uses of technologies, and technology users make use of digital modes to practice gender. This is as true, for teens, as it is for other age groups. Teens, who are in a gendered transition as they are leaving childhood and entering adulthood, can offer particular insights into issues of gender practice. In this session, we present a collection of papers that employ qualitative research to look at the intersection of the teenage years and emerging technologies, using this focal point as a lens for examining gender practices. Our goal is to enlarge our understanding of gender practices, technology, and teens through the presentation of research studies that provide intense and detailed insight into the ways teens are both shaped and shaping of individual and cultural gender possibilities through the new technologies in their lives.
As a sample, here is the abstract for the paper, I plan to give as part of the panel:
What Teens Talk About Sexting Reveals about Gender Practices
In this paper, we will report on a three-state, mixed-method, interdisciplinary, and comparative study of teens and adults views of sexting, which was funded by the US Department of Justice. Specifically, we will be discussing the findings regarding gendered practices that arose in the qualitative research data collected from 123 youth, who participated in a total of 20 focus groups in Massachusetts, Ohio, and South Carolina. In talking with teens about their views regarding sexting, we found teens acting out powerful expectations and beliefs about males and females (our data did not include any youth who identified as Lesbian, Gay, Bi-sexual or Transgendered). The topic of sexting, which sits at the intersection between acceptable and unacceptable expressions of sexuality, was a powerful means of unearthing territories of ambivalence in teens’ gender practices. This led us to the development of a model to describe the range of behaviors that fall under the heading of sexting. Our model builds upon teens descriptions of gendered relationships to describe a continuum from non-aggressive to implied aggression to overt aggression. In this presentation we will present the model and discuss the qualitative research evidence that undergirds it.
For questions about the panel, please contact: Judith_Davidson@uml.edu
Please submit your abstract by no later than November 1, 2011 to Judy Davidson at Judith_Davidson@uml.edu. Decisions for the panel will be made by November 15, 2011. The proposal will be submitted to ICQI by December 1, 2011.
Thank you and look forward to compiling a very interesting group of papers and spurring a challenging discussion.
Monday, June 13, 2011
Sexting, Cell Phones and Arts-Based Research
I am currently serving as qualitative researcher on a three-state study of youth views of sexting. We are just finishing up the youth focus groups, moving into analysis, and getting ready to plan for the adult focus groups in the fall.
In working on this project, I can't help but think about it from the perspective of arts-based research. What are the possibilities for thinking with arts-based approaches to this subject.
My primary medium is felt--one of the world's oldest, slowest, most primitive textile techniques. [And some mixed media]. This is the antithesis of the world that the cell phone typifies (the technology most closely associated with sexting). Cell phone worlds are fast, quickly shifting...I would even say 'itchy'. Click, click, click, move on. Felt is fuzzy, soft, foldable, rollable, of many shapes and sizes. Cell phones are small, hard, and while they have variety--they most often appear in our minds as little rectangles with shiny digital surfaces.
My interest in applying art to cell phone got me looking online for what is out there. I didn't realize how much cell phone clip art exists. I didn't know anything about cell phone charms...and cell skins (some designs I found were taken from Miami Ink artists!). I found artists that were making new kinds of installations with discarded cell phones, people who were creating drawings inspired by the inner workings of cell phones, and gallery installations that were created through cell phones--photographs or other capacities. I cllipped out all the pictures and cartoons of cell phones from copies of my old New Yorkers (as you can tell I was really getting serious!)
I thought about the ways that cell phones and bodies interact. At first I focused on hands--how do hands hold the cell phone. I thought of the way that bodies appear in cell phones. Self-pictures that leave our faces and smiles distorted. The way that we accidentally snap a part of us (half a head, a foot, etc.) as we try to figure out the camera.
So, I am clearly on my way to the next, new thing--the cell phone project. How is it going to intersect with youth views of sexting? I'm not sure...but it is ready to evolve.
In working on this project, I can't help but think about it from the perspective of arts-based research. What are the possibilities for thinking with arts-based approaches to this subject.
My primary medium is felt--one of the world's oldest, slowest, most primitive textile techniques. [And some mixed media]. This is the antithesis of the world that the cell phone typifies (the technology most closely associated with sexting). Cell phone worlds are fast, quickly shifting...I would even say 'itchy'. Click, click, click, move on. Felt is fuzzy, soft, foldable, rollable, of many shapes and sizes. Cell phones are small, hard, and while they have variety--they most often appear in our minds as little rectangles with shiny digital surfaces.
My interest in applying art to cell phone got me looking online for what is out there. I didn't realize how much cell phone clip art exists. I didn't know anything about cell phone charms...and cell skins (some designs I found were taken from Miami Ink artists!). I found artists that were making new kinds of installations with discarded cell phones, people who were creating drawings inspired by the inner workings of cell phones, and gallery installations that were created through cell phones--photographs or other capacities. I cllipped out all the pictures and cartoons of cell phones from copies of my old New Yorkers (as you can tell I was really getting serious!)
I thought about the ways that cell phones and bodies interact. At first I focused on hands--how do hands hold the cell phone. I thought of the way that bodies appear in cell phones. Self-pictures that leave our faces and smiles distorted. The way that we accidentally snap a part of us (half a head, a foot, etc.) as we try to figure out the camera.
So, I am clearly on my way to the next, new thing--the cell phone project. How is it going to intersect with youth views of sexting? I'm not sure...but it is ready to evolve.
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